- No style is
greater than the other; the greater style lies in the combination of
all and every style.
- This is
emptiness in martial arts. As a whole it is limitless, continuing
endlessly.
- Openness,
emptiness, always room for changes, always room for new.
Analogy of Emptiness
- The wine is
made in a barrel and left to age. After a period of time the barrel is
emptied and ready to be used again, except the wine/alcohol that is
absorbed in the oak barrel does not pour out. When you learn something
new, your mind will be filled. You absorb the knowledge, then empty
your mind for the new again.
If you do not empty your barrel, you will be stuck with just one wine.
If you lose your taste for this wine, where will this leave you? It
leaves you with no choice, because you have limited yourself.
Everything is always changing, your moods, tastes, surroundings.
You have to be empty in order to absorb change; once you are holding,
- (being full) there will be no room for the new.
Emptiness = absorbing, but never holding.
- Martial
Arts as a Wholeness, all styles being as one to be none. This is
true martial arts.
One can never comprehend martail arts as a wholeness, but one can
spend a lifetime learning martial arts as a wholeness.
- There are no
limits to mankind, just as there is no limits to the martial arts.
Man can create the destiny of his own being. His own being can be
limited or limitless, it depends on himself.
A limited man can know everything that he is limited to, but he will
not exceed the limits of his knowledge.
The limitless man knows that he will never know everything, because
what he does not experience he will create.
- All martial
art systems are good, as anything that expands your knowledge is good
, if you are open minded and willing accept the new. Even if it is
against what you have been taught or have discovered, to learn the
opposite to what you have been taught is only learning the Yin to your
Yang or vice versa. If you do not wish to learn the two opposites and
what's in between, you will never be complete. This is being of whole.
- There is no
one system or style that is better than the other. They could be total
opposites; one hard one soft. The master of the hard style says: "My
way is better. I will explode through my opponent so fast and hard he
will not have a chance to react." The master of the soft system will
just reflect the attacking bull with a circular turning technique,
striking him as his weight carries him past. Now, which system is
best?
This is only using your right leg to kick and your right arm to
strike, because your left feels and looks awkward. This is a
restriction that is limiting yourself. It is looking at your left side
with closed mind.
One should never approach anything with a closed mind. Empty your mind
of it's negativity and be free of mind, free of limits. Start training
with your left side for it is equal to your right. This will make you
more complete, because two opposites make a whole. This is an example
which complies to most everything.
- If someone
does different than you, does that make him worse or better than you?
There is only one proper way to tell. Practice it his way until you
have developed the technique properly and then choose. This gives you
the opportunity to sit on top of the fence, free of mind. Would you
climb back down your side and be limited, or would you climb down the
other side to be limited?
The lesson is to stay on top of the fence and to always have the
freedom of choice. A mind that is free and empty will make it's own
choice instantaneously upon action. But if the mind is limited, there
will be no choice...only one way.
- When you
watch the faults of a certain style or form and you see no practical
use for it, do you mock this style with a closed mind, or do you open
your mind and try to understand? You might not able to understand
through trying, so let it be absorbed, and one day the light will
shine upon you and you will understand.
This article was reprinted from the Freestyle
Book of Philosophy cc. 1984 National Freestyle Martial Arts Organization
By Daniel Verkerke
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